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Today I decided to go back to my roots, broad-edged
calligraphy.
I have been playing with pressure/release lettering and
colored pencils a lot lately, and I promise to blog about that soon and show
you how much fun they are. But today, for some reason, the broad-edged
nib was calling my name.
Isn’t it nice that we have all different kinds of lettering
to use? I personally need that VaRiEtY
so I don’t get bored. (Just bein’ real,
here.)
I actually haven’t done much traditional calligraphy lately,
using gouache and a broad-edged pen, and that’s because I lean over a ton
when I letter so I can really see.
And my back has been hurting when I leaned over that much
for that long, so I had adjusted by habits by lettering in more whimsical and
forgiving styles.
But since my doctor took me off Vytorin, my daily back
troubles have gotten tons better.
Isn’t that wonderful (!), but at the same time, soooo scary??
(My back still gets mad when I overdo it or even use it very
much (then I have to ice it), but at least I don’t hurt just because I’m awake
and alive.) <whew>
ANYway, since my body will perhaps permit me… I prepared to letter and see how out of shape
my hand was and just to see if I could still do it. (!)
First of all, I got out a new sheet of fine art paper. The good stuff.
Why? Because the
surface is perfect for crisp letters, with its internal sizing and
toothiness. For daily practice, I use
Ingres Antique (AKA German Ingres). I also
adore Arches MBM Ingres. It doesn’t
“ding” as easily, is super crisp, and can take more fluid without buckling
(like Textura/Gothic).
Then I lined it the way Marsha Brady taught us: with a steel ruler and a sharpened-to-a-needle-point
pencil, leaving very generous margins.
Where would we be without Marsha Brady??? We all learned so much from her before she
retired from teaching. Ahhhh, the good
ol’ days of Marsha Brady workshops...
♥ Good times. ♥
So! Then I needed
some fluid to write with. Most serious
calligraphers use gouache, which is an opaque watercolor, diluted with
distilled water. (Distilled, so mold
doesn’t grow.)
I decided to use a beautiful Cerulean Blue gouache, lighten
it to a tint with Dr Ph Martin’s Pen White, and then dull it with some Walnut
Ink, just for fun.
And then I got out my favorite nib, which I think is a 2½ mm
Tape nib. After using it a little, I
could tell it wasn’t acting right. It
wasn’t grabbing the paper enough and needed crisping up on some 600 wet/dry
sandpaper. Not much, just a few light strokes.
And then, off to write a few words.
Did you notice that I work on a padded surface? I have a few sheets underneath my good paper for
a little resiliency -- not too many.
And did you notice the “guard sheet” in the photo? That’s to protect my paper from the oils in
my hand. Otherwise, the ink might spread
when I get there and write on it. So
prevention is simple with a piece of paper under my hand.
I also use a bright light (coming from my left, since I’m
right-handed) and mega reading glasses.
LOL
And I try to enjoy each stroke. That’s critical for me and helps me slow down
and focus on my letters and on my spacing.
Ahhhh, spacing…
That’s could be a whole ‘nother blog post, couldn’t it?
Spacing is such an important topic, and I am so not
worthy to write about it, so I will just relay what I learned from John
Prestianni: view your letters in groups
of 3. Your next letter (that you
haven’t written yet) is Letter #3.
Now place it so that your previous letter, Letter #2, is spaced
evenly between Letters 1 & 3.
Oh my, is that as clear as mud? Okay, here’s an example. If you’re lettering “abcd”, and you have
written “a” and “b” -- when you write “c”, aim for visually centering the “b”
between “a” and “c” so that they look evenly spaced.
Then, shift over to the next set of 3 letters: when you write “d”, it should be
placed so that “c” is evenly spaced between “b” and “d” and so on and so forth.
Now keeping this up and concentrating like this is a bit
difficult for me after too very long, but it is a good place to start.
Isn’t this crazy to try and write about? It would be so much easier to just show you
at my drafting table. Sigh. But suffice it to say, viewing them in groups
of 3 really helps me. I think it’s one
of those things that’s easier to do than to read or write about.
Okay, so I hope that helps, and Happy Lettering!!
XOXO,
Lucky Dog
♥